The great thing about studying pop tunes is that they very rarely stray from a given key. They like to keep things rather diatonic. This means that with just a small bit of practice, you can start to recognize these chord progressions for yourself, even without your instrument in hand. We will go much deeper into our understanding of how these chords function in later articles, but for now let’s just get comfortable with what we get from “Sorry.”
And lastly, there’s more than probably a bit of synchronicity in the fact that as Brown’s album starts with “I’ll Go Crazy,” Prince’s live show inspired soundtrack album Purple Rain starts with a raucous, no holds barred version of his “Let’s Go Crazy.”
Some examples of past sessions include adding production magic to your tracks, arranging and finishing musical ideas, producing an EP, or getting help building an audience for your music. We’ll find you a Soundfly Mentor specifically suited to your project who will work with you to figure out what it takes to get it done. Just tell us a little bit about yourself to be matched with a mentor right away.
Hip hop groups
To add more character to your drums, try panning each piece in your kit in a thoughtful way. This will help keep sounds from getting muddled and will be great for later when you need to differentiate instruments like the kick and bass. This also gives you the opportunity to spice up you drum part with a bit of unpredictability. For example, if your kit includes claps, each hit could switch from falling on the left or right side.
It’s still Home Recording Week here on Soundfly and beyond, so for those of you who have made a commitment to yourselves to produce better music in the comfort of your own home, we’ve got a ton of helpful resources to help you improve your knowledge, skills, and strategies.
Performing more often is an excellent goal, but plunging in headfirst can be dangerous and taxing. If you mean to keep this resolution, be smart about it.
I also enjoy the version from Morimur performed by Christoph Poppen and the Hilliard Ensemble, and I’m not alone. This is one of the most popular classical albums of all time.
Learn how to use these scale modes and more in our harmonic theory double header courses, Unlocking the Emotional Power of Chords and The Creative Power of Advanced Harmony.
Canada council curatorial grants
This autumn, we’re launching a brand new mentored online course teaching you how to get your home-recorded vocals sounding like the pros, check it out!
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.
Like everyone in the music biz, mixers and producers have a reverence for the giants whose shoulders they stand on. We love to learn from the greats and, in this book, journalist and engineer Howard Massey sits down with 37 of them to record their hard-won insights. From Sir George Martin to Phil Ramone to Alan Parsons, we’re treated to intimate insights into how these producers makes great records and what makes each of them tick. Many of the common lessons here we knew already — such as the importance of getting the best performance over fixing things during the mixing process — but there’s real value in the way that these sentiments and lessons are articulated differently by each interviewee.
At some point, Hein compares learning music to learning the English language. In music education you are given so so much information before you’re asked to turn it into something creative, if ever. In contrast, when you learn a language, by the second grade you’re already being asked to write stories and communicate creative ideas; it’s instant expression from the moment we begin our journey.
In several interviews, Sandison and Eoin reveal how they love using old reel-to-reel, four-track, and cassette tape machines as pseudo-preamps to impart a certain sound. The aim was to drive the inputs on this old tech and harness its audio downsampling, imprinting a sense of nostalgia and decay right into the tracking process of the recording.