My final point is to think about your instrument or gear setup, and anything else you’d want to dress the stage with. This one may take some years to fully conceptualize and realize, and it may be something that changes constantly. That’s all okay, but just know that it too matters.
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran to help you achieve them.
It’s like going on a camping trip. You can just strike out into the woods anytime, but you’ll probably do a lot better if you have a route planned out, know how to store your food to keep bears away, and have a vague idea where the shortcut you’re taking is going to send you.
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In this case, the B♭ is the 9th, even though it looks like it should be called the 2nd. Tensions get bumped up an octave (2nd becomes 9th, 4th becomes 11th, and 6 becomes 13th).
A woman composer of the 18th century? Blasphemy! Maria Teresa Agnesi was born in Milan in 1720 to Pietro Agnesi, a man of modest nobility. She received a wonderful liberal arts education with her sister, who became a lecturing mathematician, while Maria Teresa turned out to be a talented harpsichordist and singer.
New Artist Model member Saskia Griffiths-Moore used a music video to share a bit of her narrative. She started with nothing but a dream — a desire to sing and create music — and was busking on the streets to make money after quitting her job cold turkey. Now that she’s realized her dream and is supporting herself fully with music, she revisited her old busking spots in London in her music video “Joy of Defeat.”
“It was a pleasure mentoring Colin through Soundfly’s New Songwriter’s Workshop course. He came into the course with a background in songwriting and finished the course with the momentum of a professional songwriter.” — Joseph (Soundfly Mentor)
Far too many first-rate bands can’t seem to make the leap from playing great shows in smaller clubs to playing big rooms on bills that people are actually excited about. A few years of playing smaller rooms and your band should be ready to start making a name for itself. But toiling away in obscurity, waiting for someone to discover you isn’t a viable way to make it as a musician. And if you live in a hyper-competitive music market such as New York City (like I do), you really can’t just wait around.
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Print out some hard copies, go to the venue, and hang them up there (or ask the venue to do that for you). Your poster in a venue’s window maximizes your chances of reaching foot traffic and audiences from other shows. But if you’re already printing posters, why not put them up in local businesses and stores as well? And make sure to hang some up at local colleges, band rehearsal spaces, or anywhere else you think you’d find people interested in music.
You also may not like this one (“but I need it, it’s my job!”). Well, you don’t need it every day, all day. Consider deleting social media apps from your phone for one week out of every month. You’ll feel so much lighter. You’ll notice the world around you, and realize there’s so much more than filtered, curated content. You’ll be able to breathe. You’ll be able to be yourself and make real connections with real human beings!
NBS allows you to see who is interacting with you on social media, even breaking down the information further to reveal how many men versus women are mentioning you or retweeting you on Twitter. Knowing who is not only a fan but who has taken the extra step to interact with you online is incredibly powerful information — potentially indicating who might be your next community of superfans, or superfans-in-the-making!
Obviously, you always hope to just show up and the magic will take over, and before you know it, you’re going platinum. Sure, spontaneous magic can definitely happen in the recording studio — but in my experience, it’s almost always facilitated by being above-and-beyond prepared for what you’re going to do.
“You’ll find 44 lifelike vignettes of students playing, including a double-page illustration of a full school orchestra performing in concert. Here are boys and girls playing the piccolo, bassoon, bugle, sousaphone, snare drum, xylophone, maracas, violin, string bass, and electric guitar — and even the banjo and bagpipes. These, plus 32 more popular musical instruments, grouped according to instrument type, are ready for crayons, watercolors, or magic markers.”