If you’ve spent a bit of time learning about rhythm patterns and how to compose or arrange in different time signatures, at some point you have probably come across the term hemiola. Hemiola is a unique-sounding technique than can give any rhythm a syncopated, off-the-beat feel.
Gorgeous though the chaconne is, my enjoyment has been hampered by my inability to figure out the rhythm. All classical performers insist on doing extremely expressive (read: loose) timekeeping. I don’t have the sarabande rhythm internalized well enough to be able to track it through everybody’s gooey rubato. Bach’s rhythms are complicated enough to begin with. He loves to start and end phrases in weird spots in the bar (the very first note of the piece is on beat two) — so, I needed some help finding the beat.
Vertical hemiola simply means that the rhythm of three and the rhythm of two are being played simultaneously, or on top of each other (thus vertical). The simplest way of representing this in musical notation is in 6/8 time, with a pattern of three quarter notes per bar played at the same time as a pattern of two dotted quarter notes.
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So much of today’s new technologies tend to offer (at least in marketing speak) out-of-the-box solutions to musicians’ and students’ problems. Softwares and plugins, devices and networks, are all designed to minimize the rough edges around taking the time to learn things the hard way, practice them, and interact with things and people. And while these tools are optional, and do provide new avenues for creative expression and learning, they sometimes also skip over some crucial steps in the lifelong learning process of the artist, particularly those steps that historically have happened in the classroom.
It wasn’t long before I realized that, if I’m being very honest, all of these playlists are more or less the same. They’re all full of instrumental music (probably because they’re trying to be “calming”) and while the songs aren’t necessarily the same, to the untrained pup ear, they might as well be. There’s not a lot of variation, and if I were a dog, I’d get pretty bored with this mix too. Which might be the point — to just put your pup in a state of relaxation so they can drift off to dreamland.
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Imagine a world where every time a phone rings, your music plays. Creating and selling ringtones on iTunes can be a fun as well as a profitable way to repurpose your most popular or favorite songs. Even though you won’t earn royalties each time the phone rings, the good news is that you can earn royalties each time your ringtone is downloaded.
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This is an exciting music video that takes full advantage of high-intensity performance footage and a gripping narrative. The members of Bullet for My Valentine are soaked by rain throughout the performance, which is both perfectly fitting for the song title as well as an ode to the twist in the storyline towards the end of the video. After discovering her partner cheating, the girl violently pours a can of gasoline all over the man, the other girl, and herself, before dropping the lighter to reveal that it’s in fact water — a cruel joke in retribution.
How about F? This one is easy too. The interval between F and C is also a perfect fifth. But this time we’re going down a fifth, not up. So to get down to F, we’re going to divide C’s frequency by 3/2, which gives us 2/3 Hz. We can then bring it up an octave by doubling its frequency, giving us an F at 4/3 Hz.
It’s important to note that if something is naturally caffeinated, the caffeine can never be completely removed. Even “decaf” drink versions typically contain between 5-32 mg of caffeine. Stick with herbal-based coffees and teas, which are naturally caffeine-free. Next time you’re at the store, make sure to stock up on some mint, hibiscus, and chamomile!
Okay! Now, Don’t Cry, but that’s it. Ain’t Got No Tunes Left to Spy, Sad!, and it all wasn’t exactly a No Brainer, but I hope that if you’ve gotten this far, you were able to catch at least a little Thunder in your bottle.
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