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But while all that extra time and opportunity can certainly help musicians learn to home record, produce, and mix, it might set us off with some bad time management habits if we’re not careful. Sometimes having too much time, or too much choice in terms of what instruments or sounds to use can debilitate our focus and our sense of making the most out of our studio hours. There is such a thing as too much of a good thing.

This gripping narrative follows a suicidal lady who is saved by a stranger, but quickly becomes obsessive and forces the man to abandon her in her confused and unsafe mental state. Frustrated and full of anguish, the lady runs back to the very same building to fulfill her earlier wish, before we see her intentionally drop her shoe in front of another man, revealing to the viewer her malicious deception to find herself a partner.

By the end of this mentored six-week experience, you’ll learn how to take raw ideas and turn them into the best possible sounding song. Some specific stops along the way include utilizing advanced harmony, rhythm, and bass; the difference between songs and productions; how successful songs are structured; creative strategies that you can apply to your own music; and how to revamp your workflow to emphasize the song’s emotive power and listenability.

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Just like your mind and your muscles, your ears also have a shelf life. Go too long without taking a break, and you’ll run the risk of not being able to separate good takes from bad ones. It might sound odd to recommend taking breaks as a time-saving tool for home-recording, but keeping your dexterity as well as your listening skills sharp will protect you from making costly recording mistakes.

If you are submitting a track to a publisher to be considered for the music collection they will be pitching for an upcoming Netflix series, should you have your song mastered? Absolutely! If you have a full album mixed and ready to release on iTunes to share with the world should it be mastered? Definitely! In cases where you need to put your best foot forward, producing a fully mixed and mastered song will be the best way to go, every time.

We’ll also be joined by our friends at Bandzoogle, TuneCore, and ReverbNation, and more, who will be posting content about home recording all week next week — all linked together in the same conversation with the hashtag #homerecordingweek.

Okay, so the first effects pedal I would recommend for that signature shoegazer sound is a reverse reverb pedal — the one essential pedal that creates a noticeably different sonic palette than all other musical genres. A standard reverb pedal will fade out your playing after the attack; you’ll hear yourself hitting the strings and after that, the reverberation. The reverse reverb does the opposite. It’s kind of a twisted reverb sound, as you will hear the clean attack and, just as it starts to die out, you’ll hear the reverb fading in, eventually bringing the reverberated attack back at the end.

With overwhelmingly positive results, we’re happy to share a few testimonials of Soundfly’s Orchestration For Strings course directly from our students.

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Me: Sure, I’ve got 1099s.

We want to connect with a performer, and that’s maybe what James Brown does best on this album; he connects with his audience in a way that over 50 years later we can’t deny feels absolutely great to listen in on.

I would consider the Roland RE-201, also known as the Space Echo, to be a marvel of engineering and musical acumen alike. It’s a perfect example of what I would call a “holy grail piece of equipment;” a piece of equipment that is universally respected and its sound is often cited as the very definition of what it’s trying to achieve.

When it comes to organizing the structure of your song, where and when certain sections come in, and the roles they play as your song develops, there are a few ways to go about this. Some of the most common types of song forms are just variations of verse, pre-chorus, and chorus, with the occasional bridge or solo thrown in, especially in pop music.

Carter Lee is a bassist/educator/producer. He is originally from Edmonton, Canada and now resides in Brooklyn, NY. In addition to leading the hip-hop group, Tiger Speak, Lee is the music director for the bands of both Shea Rose and Moruf. He is also a sideman for countless other artists. Carter brings his wealth of experience in many different musical situations to the Soundfly team and is eager to help any musician who is hoping to better their band. Check out his course Building a Better Band on Soundfly today!